Names, tenses and timelines checked across your whole manuscript.
The conductor, a thin man named Pell, nodded as she passed. Mara kept her bag on her knees and her eyes on the platform clock.
She thought about the night her father left, the shouting, the slammed door, the suitcase she had packed in a hurry, and how every choice since had led her to this train.
The carriage was nearly empty. A man slept against the far window. Mara did not notice the woman across the aisle until the whistle sounded twice, and then she was suddenly very aware of her stare, and it made her feel very uncomfortable.
The woman wore a green coat, she held a paper cup in both hands, like something warm she had been given to keep. Neither of them spoke.
The doors hissed open at Aldgate. “Mind the gap,” said Mr. Peel, and no one moved.
Mara counted the stops on the map above the door. Six more. She had allready counted them twice.
The silence stretched between them like an endless ocean of unspoken sorrow. She pressed her thumb into the seam of her bag and waited for the next announcement.
She looked at the window instead. Her own face looked back at her, pale and tired and small. Behind it the tunnel wall went by in long grey streaks.
The woman in the green coat stood, and Mara's stomach turned over. But she only crossed to the door, held the rail, and got off without a glance.
Mara let out a breath she had not known she was holding. Then the doors closed, and the train moved on.
7 suggestions reviewed across 2 pages. Every accepted change uses your own words, and your voice match held steady.
Copy editing catches what's easy to miss in a long manuscript: a name spelled two ways, a tense that slips mid-scene, a timeline that doesn't quite add up. Every manuscript gets a software-powered pass tuned by 100+ years of combined publishing experience, with a real human editor a request away whenever you want a second opinion.
See what's includedCopy editing happens once the prose is settled, catching what's easy to miss across a long manuscript. Every note is shown inline, with a reason attached, so you decide what to accept.
Corrects subject-verb agreement, sentence fragments, and other grammatical slips without changing your voice.
Checks comma placement, quotation marks, and other punctuation so every sentence reads clearly and correctly.
Catches misspellings, typos, and commonly confused words like their and there throughout the manuscript.
Flags unintended shifts between past and present tense within a scene, paragraph, or chapter.
Tracks names, physical details, and established facts about characters so they stay consistent from chapter to chapter.
Checks that days, seasons, and event order line up across the manuscript, catching timeline slips before readers do.
Keeps place names, invented terms, and capitalization consistent everywhere they appear in the manuscript.
Applies consistent formatting for numbers, hyphenation, and punctuation style throughout your manuscript.
Nothing changes without you. Every note is inline and reversible, checked against everything established earlier in the manuscript, with full undo/redo.
No mockups here, just the real flow, screen by screen. Pick a plan below to see its own process end to end.
The editing screen opens on three plans. Pick "Free" and you're in, no card required, this is a real copy editing pass on your own opening pages, not a locked-down demo.
Drop in a .docx, .pdf, or .txt file, or auto-load one already saved to your account. Copy editing is checked by default; add any of the other passes if you want them run at the same time.
Every suggestion on your free pass works exactly like the other plans: original line, suggested rewrite, the reason it's flagged, and a check against your own voice fingerprint.
Text past the opening 500 words is blurred and locked, no matter how long the manuscript is. That's the whole free plan; nothing charges automatically.
Folio only edits the opening 500 words for free. Upgrade to Standard to cover the rest.
Liked what you saw? Unlock Standard to run the same passes across the whole manuscript, or hand it to a dedicated human editor instead, both pick up right where the free pass left off.
Pick Standard and the whole manuscript is in scope, however long it is, with no per-chapter add-ons.
Drop in a .docx, .pdf, or .txt file, or auto-load one already saved to your account. Choose which of the six edit types to run and how intense a pass you want, then continue to confirm your order.
Before anything runs, you review your manuscript and plan. Check out by card, or contact a consultant first if you have questions.
Each suggestion shows the original line next to what's suggested, why it's flagged, and a check against your own voice fingerprint, across the entire manuscript, not just a sample. Accept, keep the original, or skip and come back later.
Once you're through, see how many suggestions you accepted, how many you kept as-is, and how the result checks out, then export as Word or PDF, save it to your account, or carry straight on to formatting and publishing.
Skip the software entirely and hand your manuscript to a real, experienced copy editor who works through it page by page.
A short form: manuscript name and genre are optional, your page count and contact details set up the call, and you pick a date and time that works for you.
You review your manuscript and page count before committing. Check out by card, or contact a consultant first if you have questions.
A real, experienced copy editor works through your manuscript personally, then sends you the finished draft, by email or straight to your Folio dashboard, whichever you'd rather use.
Download your edited manuscript from the dashboard whenever you're ready, and ask your editor for as many rounds of revision as you need until you're happy with it.
Copy editing is included in Standard, along with every other tool. Edit it yourself with Folio's software or hand it to a real editor. No subscriptions, and your book always stays yours.
Copy editing checks grammar, consistency, and continuity throughout the manuscript, things like names, tense, and timeline. Proofreading is the final pass after everything else, catching typos and formatting slips right before publishing.
No, it's included in Standard, the $150 one-time plan that unlocks every pass and tool for your book. If you'd rather have a human editor check your manuscript directly, that's available with Humanize, at $3 per page.
Every name, physical detail, and established fact is tracked as it's introduced, then checked again everywhere it reappears, so a detail that contradicts an earlier chapter gets flagged even hundreds of pages later.
Yes, you can set a preferred style guide before running the pass, and Folio applies it consistently for numbers, hyphenation, and punctuation throughout your manuscript.
Yes. Copy editing corrects what's objectively incorrect, like subject-verb agreement or a stray tense shift, without touching stylistic choices that are yours to make.
The software pass is ready in minutes, regardless of manuscript length. If you bring in a human copy editor, timelines depend on manuscript length, and your Pipeline page shows an estimate once it's underway.
Upload a sample and see the consistency check for yourself. No card, no commitment. Standard unlocks it for your whole book, along with every other tool.